| S.A. Bachman is the co-founder of the artist-activist collaborative, THINK AGAIN. Her photographs as well as interventionist projects by THINK AGAIN have been exhibited in "Antagonisms," Museu d´Art Contemporani de Barcelona; "The Anti-War Show: US Interventions From Korea to Iraq," Track16 Gallery; "Beyond Aesthetics/Artists of Conscience," Alternative Museum, "Selective Fictions," Grey Art Gallery. Her bibliography includes the monograph A Brief History of Outrage; Reframings: New American Feminist Photographies, Economic Apartheid in America, Graphic Agitation 2, Artforum, Aperture and Newsweek. Her work is in the collections of the Los Angeles County Museum of Art, Palacio de Artes Plastico Bellas Artes (Mexico City), Center for the Study of Political Graphics, Rose Art Museum. Her work has been supported by the National Endowment for the Arts, Massachusetts Cultural Council, Gunk Foundation, New England Foundation for the Arts, Tanne Foundation and LEF Foundation. She received her M.F.A. from Tyler School of Art. She lives and works between Boston and Los Angeles. Recent projects include "Patterns of Confinement," focusing on institutions that utilize confinement and continue to ascend in social importance including prisons, factory animal farms, and agricultural farms that employ undocumented laborers. "The NAFTA Effect" addresses the contradiction between "free trade zones" and restrictive migrant labor policies across the US/Mexico border. Hola/Hello is an installation that links the rape, sexualized violence, and murder of over three hundred unidentified women of Ciudad Juarez, Mexico to the structural effects of NAFTA and intergovernmental relations between the US and Mexico. "Protestgraphics," was one of the first websites to respond to the 9/11, U.S. military action in Iraq and Central Asia, violence against Arab and Muslim Americans, and to the Bush administrations "war on terrorism." |
)
)
)
