The William Morris Hunt Memorial Library
Horticultural Hall, 2nd Floor
300 Massachusetts Avenue
Boston, MA 02115
617-369-3385
Hours: Monday–Friday, 1–5 pm, except major holiday

The MFA's William Morris Hunt Memorial Library has collaborated with SMFA for 14 exhibitions of student work. On view February 11–April 19, 2013, the current exhibition features artists' book produced with print-on-demand technology.

Curated by SMFA faculty members Hillary Binda and Chantal Zakari, it features work by: Avery Bazemore, Rachel Bernardini, Haley A. Bishop, Paul Butler, Heisue Chung, Crystal Fenner, Geoffrey Hewer-Candee, Kristen Hoops, Ximena Izquierdo, Kate Kincaid, Sarah Kroll, Phyllis Labanowski, Elçin Marasli, Kelly McDermott, Elizabeth Noftle, Jessica Thistlewaite, Rebecca Volynsky and Ben Wu.

Laconia Lofts Gallery, 433 Harrison Avenue, Boston 
Gallery hours: Friday–Sunday, 12–4 pm

Julia Csekö's scluptures in"Aftermath" transform social symbols and objects, such as miliray fatigues, into doll-size proportions, encouraging viewers to confront tough issues without the "life-size" intimidation factor; Molly Segal's paintings in "If You Jump, I'll Jump" explore the psychological ambiguities of interactions between young women, delving into ideas about friendship, intimacy, desire, fear and recklessness.

April 5–27, 2013
Reception: April 5, 5:30 pm

Tufts University Art Gallery @ Aidekman Arts Center, 40 Talbot Ave Medford 
Gallery hours: Tuesday–Sunday, 11am–5 pm; Thursdays until 8 pm

Ario Elami's series of mostly small-scale conceptual works, combining text and drawing, explores the event of one's death and the prospect of an afterlife; Ruohan Hu creates modern version of Hyakki Yagyo (Night Parade of One Hundred Demons), an illustrated handbook about ghosts and monsters from Japanese and Chinese folklore; Jihee Lee's paintings bare witness to the act of meditation and as objects, are a physical record of time and personal memory; in his photographic seascapes, Chien-ning Liao creates spaces that are ambiguous allowing viewers to question what they are looking at; Singha Sihakhom explores the Buddhist term for constant flux and impermanence, annica, through the lens of his personal experiences migrating from Laos and becoming an ordained Buddhist monk; Qing Song's oil paintings reflect on the challenges faced by the first generation of modern, urban, professional women in China, as well as her own identity as a young female painter.

April 11–28, 2013
Reception + Artist Talks: April 11, 5–8 pm