With its rich heritage as one of the oldest programs of its kind in the country, the Sound area at SMFA continues to lead in the development of a history, theory and practice of sound art. It distinguishes itself from conventional conservatory approaches by fusing three discourses––20th century avant-garde music, late modern conceptualism in the visual arts and contemporary do-it-yourself (DIY) culture in order to address the ways in which artists have used (and abused!) sound as an expressive and critical medium.

Courses offerings are topical and have included, among others: a survey of contemporary sound art; introduction to digital audio production tools; field recording and acoustic ecology; history of sonic arts; appropriation art and remix culture; sound installation and sculpture; and, circuit bending and hacked electronics. Technical skills are balanced with rigorous theoretical concerns. Overlap into other media––for example video and performance––is encouraged.

The Sound area facilities include individual work stations with digital audio recording, mixing and mastering capability, a surround sound speaker environment and a studio room with old-school analog synths, tape decks and FX centered around a robust digital audio workstation. There is also a range of audio gear that students may take out on loan.

Finally, keeping abreast of the state of the field is important, and to that end visiting artists often make appearances for lectures and workshops.

For more information about the Sound area, contact Nate Harrison.