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The Film/Animation area offers a range of
courses that build critical, conceptual, and technical skills in production and
post-production in all genres and gauges, including single-screen and multiple
projection. Seminar courses examine film and animation’s history through
contemporary thought, aesthetic and historical movements, and cultural practice.
Whether hand-processing celluloid, shooting
with the Bolex or 24-frame Panasonic digital camera, editing on the Steenbecks
or in the Avid suite, animating images frame-by-frame or projecting two screens
side by side, you will work with both traditional and cutting-edge processes. We
encourage individual projects, and advanced students are encouraged to finish on
to film, enabled by our Oxberry animation stand, JK optical printer, matchback
capabilities in digital post, and the 16mm developer and contact printer. You
also have the option to produce digitally in Final Cut Pro, Pro Tools, Avid, and
Flash in our individual and group edit suites.
Screenings
and visiting artists and critics are a regular part of the semester, providing
exposure to a wide variety of contemporary, personal, and experimental
works.
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